接受·扬弃·创造——《窦娥冤》与《金锁记》戏曲艺术经验传承比较研究

Accept, Sublation,Creation——<Dou'e Yuan>and<Jin Suo Ji>,a Comparative Research of Inheritance Experience of Traditional Opera

元代剧作家关汉卿的杂剧《窦娥冤》与明代剧作家叶宪祖、袁于令的传奇《金锁记》 ,是对《汉书·于定国传》、《搜神记》相关记载的接受、扬弃与创造 ,并表现出不同的艺术传承特征 :两剧的素材来源具有共生性 ,对“贞”、“孝”、“天人感应”等观念有不同程度的接受与扬弃 ;在悲剧精神、戏剧冲突、表现手法和艺术风格的传承方面 ,具有相当的可比性。

This article says that the traditional opera < Dou'e Yuan>by Guan Hanqin the Yuan Dynasty dramatist and <Jin Suo Ji>by Ye Xianzu ahd Yuan Yuling the Ming Dynasty dramatists are the acceptance, sublation and creation of the related records of <Han Shu ·Yu Ding Guo Zhuan>and<Sou Shen Ji>,showing the different artistic inheritance characteristics: They have a common source of materials, the acceptance and sublation of different degrees about 'Zhen'(贞)and 'Xiao' (孝)and 'Tian·Ren Gan Ying' (天人感应), and they also have the quite comparable quality in the tragedy spirt, opera conflict, expression technique and the inheritance of artistic style.