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张问陶诗学思想论纲 被引量:3

An Outline of Zhang Wentao's Poetics Thought
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摘要 张问陶接受并发展了明清诗坛的“性灵”说 ,高扬主体意识 ,破除沈德潜的儒家封建文学理论和翁方纲的作诗规范 ;“性灵诗”必须有创作主体之“天真”与表现对象之“天真”自然凝结为具有“天真”艺术本质的艺术本体 ;“诗发乎情 ,情触乎遇” ,作诗的动因“慨然有感于身世之间” ,这个观点使张诗在抒写性灵之同时 ,能兼及“天下大义” ;主张创作风格的多样化 ,但张诗的基本风格是“空灵”和“沉郁” ;崇尚“天才” ,但非常重视创作主体的修、养、炼。 Zhang Wentao embraced and developed 'the Temperament and Sudden Inspiration Theories' of Ming and Qing Dynasty. He held 'the Subject Consciousness' high and broke Sheng Deqian's feudalistic literary idea of the Confucian School and Weng Fanggang's regulations of poetic creation. The poems written by temperament and sudden inspiration must contain the artistic subject with the nature of natural truth resulting from the natural coalescence of the natural truth of the creation subject and the descriptive object. Poems are out of feeling, and feeling is out of one's own experiences. The motive force of writing poems is out of the things which once moved the heart of the poets in their life experiences.This kind of viewpoint makes Zhang Wentao's poems touch the righteous cause of the world while writing of temperament and sudden inspiration Zhang Wentao maintains that the creating style should be various, but the basic style of his poems is unconventionally graceful,deep and dignified. He also advocates genius, but focuses on study,accomplement and refinement.
作者 罗应涛
机构地区 宜宾学院教务处
出处 《贵州大学学报(社会科学版)》 2002年第5期74-80,共7页 Journal of Guizhou University(Social Sciences)
关键词 性灵诗 创作风格 张问陶 诗学思想 创作主体 temperament and sudden inspiration natural truth source style genius
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参考文献4

  • 1船山诗草[M].中华书局,1986.以下凡张问陶诗均引自本书.
  • 2托尔斯泰.艺术论[M].人民文学出版社,1958.P47.
  • 3黑格尔.美学,第一卷,商务印书馆,1981年版,第78页.
  • 4[5]彭吉象.艺术概论[M].北京大学出版社,1995.

共引文献11

同被引文献4

  • 1[1]张问陶.船山诗草[M].北京:中华书局,1986.
  • 2[4]周锡鳆.宋湘诗选[M].广州:广东人民出版社,1986:128.
  • 3[6]赵云中.张问陶诗选注》[M].成都:四川文艺出版社,1985.
  • 4蔡荣中,刘知渐.张船山与性灵派[J].重庆师范大学学报(哲学社会科学版),1994(1):45-46. 被引量:2

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