摘要
随着非洲被纳入西方殖民版图,在强势的西方文化影响下,非洲戏剧样式多样,戏剧语言克里奥尔化,这是非洲的戏剧图景。非洲本土戏剧、西化戏剧与非洲西化戏剧并存,欧洲语言戏剧与非洲土著语言戏剧混杂共存。自殖民时期兴起的非洲西化戏剧,是非洲现代戏剧最杰出的成就,它分为两类:用欧洲语言写作的和用本土语言写作的,其汇融东西方戏剧文化传统,是具有总体艺术特征的戏剧。流散的非洲戏剧将非洲文化与他国的文化相融合,像美洲非裔戏剧同样具有总体艺术的特点。总体艺术是当代非洲戏剧发展的走向,给非洲戏剧研究方法论的转型提供了契机。
With the Africa was incorporated into western colonial territory,under the strong influence of western culture, African dramas have diversifiedstyle and creolized language, which show the picture of African theatre in theglobalization era. native drama and western drama and the African western dramacoexist in Africa. The plays written by european languages or the Africa nativelanguage lived together. arisen in the colonial times, Africa western drama isbecoming the most outstanding achievements in modern drama in Africa with two categories, i. e. written by the native language or the European language. Africawestern drama merges the eastern and western dramatic cultural tradition togeth-er and has the features of the general art. The diaspora African drama combinedAfrican culture with the culture of other countries, African-American drama alsohas characteristics of the general art. The geneal art guides the developmenttrend of contemporary African drama, and provides an opportunity for the trans-formation of African drama research methodology.
出处
《非洲研究》
2017年第2期157-172,共16页
African Studies
基金
浙江省2011计划非洲研究与中非合作协同创新中心资助项目“当代非洲戏剧文学与左翼思潮互动关系研究”(项目编号:15FZZX19YB)阶段性成果