摘要
魏晋六朝时期,吟诵取代歌唱而成为了中国古典诗歌最主要的诵读方式。吟诵在当时的盛行以及对诗歌美听的讲求,直接推动了五言诗二三顿挫的形成以及"四声八病"声律论的提出,从而促进了永明体的产生乃至近体诗的形成,中国诗歌的基本体式从此建立。
By the wei jin and six dynasties period,chanting displaced singing as the main way of reciting Chinese classical poetry.The prevalence of Chanting at that time and its pursuit of beautiful voice,directly promoting the formation of two-three rhythm of five-character and the putting forward of the theory of'Four tones and Eight ills',thus promoting the generation of the'yongming style'even the formation of modern style poetry,and the basic style of Chinese classical poetry had become established since then.
出处
《福建师范大学学报(哲学社会科学版)》
CSSCI
北大核心
2017年第2期121-129,172,共10页
Journal of Fujian Normal University:Philosophy and Social Sciences Edition
基金
国家社科基金重大项目"中华吟诵的抢救
整理与研究"(编号:10zd&107)阶段性研究成果