摘要
本文补充钩辑了现存两宋的诗(歌)头曲尾作品,并指出"诗(歌)头曲尾"为说唱艺术,来源于唐宋的转踏。它在戏曲中常作为插演,起到诙谐调笑的功能,但它更重要的意义是对戏曲结构形态的建构,即对戏曲套数尤其是南曲曲体,以及杂白混唱、滚调和板腔体的形成均有一定的促进作用。
This paper complements the existing two Song Dynasty's poems('Shi Tou Qu Wei'),and points out that'Shi Tou Qu Wei'as the arts of talking and singing originates from the Zhuan Ta of Tang and Song Dynasty.It is often performed in a play to achieve very funny effects.But it is more important to construct the structure of traditional Chinese opera,especially it plays a certain role in promoting the formation of the mingled dialogue and singing,Gun Diao,even that of structure of Banqiang opera.
出处
《福建师范大学学报(哲学社会科学版)》
CSSCI
北大核心
2017年第3期126-137,共12页
Journal of Fujian Normal University:Philosophy and Social Sciences Edition
基金
2012年度教育部哲学社会科学研究重大攻关项目<中国古代曲乐整理和研究>(项目批准号:12JZD011)的阶段性成果