文化符号学视域下舞蹈符号圈的整体性特征分析——以洞口瑶族棕包脑舞蹈为例

A Feature Analysis of Dance Symbol Circle in the Perspective of Cultural Semiotics——A Case Study of Palm-covering-head Dance of the Yao Nationality in Dongkou

"符号圈"是洛特曼文化符号学中重要的理论概念。本文试从洛特曼文化符号学理论出发对舞蹈符号圈的整体性特征进行分析,主要对符号圈的概念及其内涵、舞蹈符号圈的构成、符号圈中的舞蹈文化、舞蹈符号圈的结构特征进行研究,并以国家级非物质文化遗产——洞口瑶族棕包脑舞蹈为例,对其发生、成型、发展及其演变历程进行具体分析,试图找出影响和制约棕包脑舞蹈发展的因素,为更好地保护与传承棕包脑舞蹈提供一定的理论依据。

Symbolic circle is an important theoretical concept in Lotman’s cultural semiotics.This paper tries to analyze the integral characteristics of dance symbol circle from the theory of Lotman’s cultural symbolism,mainly focusing on the concept and connotation of symbol circle,the composition of dance symbol circle,the dance culture in symbol circle,and so on.The structural characteristics of dance symbol circle are studied,and the occurrence,formation,development and evolution of the dance are analyzed in detail.Taking the national intangible cultural heritage—the palm-covering-head dance of the Yao Nationality in Dongkou as an example,the writer of this paper makes a concrete analysis of its occurrence,formation,development and evolution with an attempt to find out the factors that influence and restrict the development of the dance,and provide some theoretical basis for better protection and inheritance of brown inclusion dance.