试论汪曾祺的上海书写及其情感转变

On Wang Zengqi’s Shanghai Writing and His Emotional Change

关于汪曾祺的小说创作,学界常以地域为单元来进行研究,而上海却沦为这类研究领域中的一座'孤岛',很少有人触及。实际上,汪曾祺20世纪40年代和80年代的上海书写呈现出截然不同的情感状态与创作风格。究其缘由,主要与其个人际遇、创作理念,以及城市文学的发展状况等息息相关。进一步讲,汪曾祺的上海书写,尤其是其后期的上海书写,应被放置在其对于多种文学资源的吸收与继承上,这并非是简单的现代主义转向,而是作者在'民族现实主义'的旗帜下,将不同的文学传统以及迥异的创作手法娴熟地运用与融合,并且将个人气质和文化意识融为一体的创作实践。

With regard to Wang Zengqi’s novel creation,the academic circles often take region as the research unit,but Shanghai was an'isolated island'seldom touched in this kind of research field.In fact,Wang Zengqi’s Shanghai writing in the 1940 s and 1980 s presents a very different emotional state and creation style,and the reasons were mainly closely related to his personal experience,creation ideas,and the development of urban literature.Moreover,his Shanghai writing,especially his later writing,should be placed on his absorption and inheritance of a variety of literary resources,which is not a simple modernist turn,but his skillful application and integration of different literary traditions and different creation techniques under the banner of'national realism',and the creation practice of integrating personal temperament and cultural consciousness.