摘要
张爱玲的创作是执着于故事本身的。为了达到故事性,张爱玲采取了传统故事的表现手法,并吸收了西方现代派表现手段的一些精华,着力表现特殊环境中的特殊人物形象,同时采用了以实写虚的富于生命力的语言,给人一种生命的质感。与张爱玲恋恋于故事不同,王安忆把讲故事放在比故事本身更为重要的位置上。作者极力消解故事性,力图通过理念构建一种"神话"。她以理性思索和文化审视为基石,用玄想性的语言代替风俗化的语言,形成与张爱玲迥然不同的创作风格。
Zhang's works emphasize on stories.To reach the purpose,Zhang adopts the techniques of expression of traditional stories and absorbs some essence of western modernist modes of expression to show the particular characters in particular situations.Meanwhile,she uses the languages of great vitality,giving us a real feeling of life.Different from Zhang,Wang emphasizes on telling stories.She tries to dispel the story plots and build up mythology through ideas.She takes rational thoughts and cultural scanning as the basis,using abstracted language to form an utterly different creative style from Zhang.
出处
《松辽学刊(社会科学版)》
2002年第5期21-23,共3页
Journal of Songliao(Social Science Edition)
关键词
张爱玲
王安忆
环境
人物
语言
Zhang Ailing
Wang Anyi
situation
character
language