摘要
高友工的律诗美学和中国抒情美学研究,建立在发掘形式美学内涵的基础上,不仅探索了有意味的形式如何生成,意义如何积淀到形式中去的问题,也从形式切入建构了有特色的中国抒情美学。
Yukung Kao's research on regulated poetic aesthetics and Chinese lyric aesthetics is based on exploring the connotation of lyric aesthetics. It not only probed into the questions how to create meaningful forms and how to accumulate meaning into form, but also proceeded with form to build Chinese lyric aesthetics with its own features.
出处
《暨南学报（哲学社会科学版）》
CSSCI
2002年第5期54-58,共5页
Jinan Journal(Philosophy and Social Sciences)
