摘要
作为“花间词人”之一,欧阳炯曾为《花间集》作序,序中对花间词风的侧艳倾向、词与音乐的关系、词体发展的文人化趋势都有所阐明,并且确立了与诗评迥然相异的词评标准。在此种词论思想的影响下,欧阳炯词的创作既散发着浓艳绮丽的花间情调,又在词调体式的运用上推陈出新,内容题材的表现上有所拓展,从而确立了他在词史上的独特地位。
As one of Huajian Ci-Poets,Ou Yangjiong has ever written a preface for'the collection of Huajian School'.In that article,he clarified the gaudy tendency of style of Huajian Ci-Poetry,the relationship between Ci-Poetry and music,and literati trend of form development.He also established criteria of comments on Ci,which were widely different from poetry comments.Under the influence of all these thoughts,his creation of Ci was not only full of rich,gaudy and elegant Huajian sentiment,but also brought forth the new on the application of tune and form,and expanded the manifestation of content and subject,which established his unique position in the history of Ci-Poetry.
出处
《湖北大学学报(哲学社会科学版)》
CSSCI
北大核心
2002年第6期60-64,共5页
Journal of Hubei University(Philosophy and Social Science)
关键词
欧阳炯
花间集序
词论
艳词
词调
Ou Yangjiong
A Preface to the Collection of Haujian School
the comments on Ci
gandy Ci
the tune of Ci