云南民族审美意识起源的推测与实证

The Inference of the Origin of Aesthetic Sense of Ethnic groups in Yunnan

作者在现有的考古学、人类学和民族学基础上，从审美意识及艺术的实践发生和心理发生两个层面，阐释云南民族先民制造工具的生存实践及其主体心理建构的文化心理机制，从而在史前物质与精神文化的背景中，对云南民族审美意识及艺术的起源作出了初步的发生学描述。

Applying theoies of archaeology, anthropology, ethnology and psychology, the anthor states Yunnan ethnic ancestors' practice in producing instruments and their cultural psychological system, so as to give a preliminary picture of the origin of the ethnic groups’aesthetic sense and origin of their arts in the background of prehistoric material culture and spiritual culture.