摘要
李渔的戏曲观是以戏为本 ,曲白并重 ,讲究当行本色。作为其戏曲理论的核心 ,丰富完善了中国古代戏曲理论体系 ;在此理论指导下的创作实践促进了清代戏曲的繁荣与鼎盛 ,为“南洪北孔”的出现奠定了基础。其流风余韵 。
Liyu paid attention to opera itself, ignoring neither script nor dialogue. His idea enriched and improved Chinese opera theory. Chinese opera came to its peak in Qing dynasty under the guidance of the theory, and founded the base for the appearance of two important opera schools. It is still important today.
出处
《南通师范学院学报（哲学社会科学版）》
2002年第4期146-151,共6页
Journal of Nantong Teachers College(Social Science Edition)
关键词
李渔
戏曲观
以戏为本
曲白并重
当行本色
Liyu
ideas on opera
opera first
the importance of script and dialogue
value opera itself
