失落的女神——《女神》及其新诗“现代性”问题

The Lost Goddess——The Goddess and the epoch sense of contemporary poems

在郭沫若研究与当代学术界接轨的过程中 ,与《女神》相关话题的新诗现代性问题一直是备受关注的焦点。如何理解《女神》创作的现代性问题 ,也是解决新诗现代性乃至五四新文学现代性问题的一个关键环节。中国现代新诗从其产生之始就呈现出鲜明的平民化特征 ,《女神》以及现代诗直露的抒情方式及其相应的平民意识成为现代诗人情感爆发的先河。

The epoch sense of the contemporary poems concerning The Goddess has been the learning focux during the process while combining the study of Guo Meruo and the modern leaning. And how to understand the contemporary nature of the creation The Goddessis also critical to the epoch sense of contemporary poems and the new literature after WuSi Movement. Chinese modern poets have possessed manifest sense of the populace from their appearing. So The Goddess, together with the straightforward expressing style and the sense of the populace, is the product of the emotional eruption of the contemporary poets.