戴着镣铐跳舞——论胡风文艺思想的二元论态势

Dance in Shackles——The duality of HU Feng's art theory

胡风文艺理论具有双重性 :既是政治工具 ,又是审美创造 ;既追求“诗人”使命的完成 ,又时刻不忘“战士”的责任感 ;既以集体为本位 ,又时刻不忘人的主体能动性。胡风文艺理论对文学的时代性与审美性的整合构成了其文艺思想的二元论态势。胡风文艺理论的二元论状态一方面是对自身双重社会角色的调和 ,一方面是对当时强大的社会本体和现实政治形势所作出的不失原则的文化妥协 。

Hu Feng's art theory possess duality: It's not only the political tool, but aesthetical creation; It's not only pursuing the accomplishment of a poet's mission, but remember a fighter's responsibility. He puts the whole interest in the first place and takes a single's motivation into consideration as well. The combination of the epoch sense and aesthetics of Hu Feng's art theory come to be the dual nature of art. His theory, harmonizing his dual social roles and making a kind of cultural compromise with the formidable society and political reality, reflects the innate conciousness towards society and art of a Chinese contemporary intellectual.