存在主义美学主体间性与自由的诗意表达——走向审美主义的海德格尔

Poetic Expressions of Intersubjectivity and Freedom in Existentialist Aesthetics:Heidegger Towards Aestheticism

海德格尔在晚期转向了审美主义,其理论观点是存在主义美学的代表,是一种主体间性的美学,主体间性作为自由的特性使得审美成为自由的存在方式,审美在自由中追求真理,超越了时空、历史社会,从而塑造出真实的主体。审美是主体间性的充分实现,通过主体间理解、同情的诗意的语言,在永恒的自由之中得到真理。海德格尔美学所主张的个体精神具有合理之处,在我国产生了深远的影响,然而对于本土化的应用,仍需要辩证地看待。

Heidegger turned to the aestheticism in the later period of his life,and his theory is representative of existentialism aesthetics,is a kind of aesthetic intersubjectivity.Intersubjectivity as a free property makes aesthetic being free,aesthetics pursues truth in freedom,beyond time and space,and across history and society,so as to create a true subject.Aesthetics is the full realization of intersubjectivity,and through the poetic language of understanding and sympathy among the subjects,obtains the truth in the eternal freedom.The individual spirit advocated by Heidegger’s aesthetics has a profound influence on our country.However,its localized application still needs to be treated dialectically.