从中国画题款史看古画鉴定中的偏差

Observing the Deviations in the Determination of Ancient Drawings Depending on Their Preface and Postscript

在中国古画鉴赏界长期以来存在着一种五代及五代以前的绘画作品没有题款的思想框架。在这种思想框架的禁锢下 ,或者把五代以前题款的绘画作品视为赝品 ,打入冷宫 ,或者把上面的题款视为后题或伪款。作者在美术史论研究中 ,发现五代及五代以前的绘画作品有不少题款的例证 ,从而打破了古画鉴赏界所谓的五代及五代以前的绘画作品没见有题款的思想框架 。

There had been a learner's Limitation which there aren't any preface and postscript in the drawings before the Five Dynasties. So they were regarded as counterfeit which with preface or postscript before the Five Dynasties by later generation. The author of this thesis illustrated with examples of the drawings of the Five Dynasties and before the Five Dynasties,that there are not a few drawings of the time mentioned above,with preface and postscripts,and then,the final conclusion that drawings in the Five Dynasties and the ones before this period,have no preface and postscript,can't be reached to.Therefore this thesis has its certain effect to correct the mistaks of ancient drawings' determination.