金圣叹小说戏曲接受理论的基本特色

The Characteristics of Jin Sheng-tan's Acceptance Theory of the Commentary on the Novels and Drama

以往学术界主要看重的是金圣叹通过小说戏曲评点所构筑的文学创作理论 ,而实际上金圣叹的小说戏曲接受理论也很有特色。这主要表现在 :第一 ,金圣叹采用随文批评的方式来表达他对批评对象独到而深刻的理解 ,这对读者的文学阅读和文学接受活动起到了一种导向的作用 ;第二 ,金圣叹对读者在文学接受活动中的主体地位、接受条件和接受能力予以高度的重视和强调 ;第三 ,金圣叹还依据他自己的理解对作为接受对象的原作品进行了删节和改动 ,从而使他自己成为《水浒传》和《西厢记》新文本的名副其实的参与者和创造者 。

In the past,academic circles paid much attention to Jin Sheng tan's literature creative theory which consisted of commentary on novel and drama than his acceptance theory which also has its characteristics.They are reflected mainly on the 3 aspects as follows. Firstly,Jin Sheng tan used a method with a companion of criticism which expresses his profound comprehension of critical object,and this understanding has the guiding effection on readers' literature reading and acceptance.Secondly,Jin Sheng tan paid great attention to and emphasized the readers main body function and position,acceptance condition and ability.Thirdly,Jin Sheng tan revised the original works of drama according to this understanding.Therefore he became one of the real participants in the new edition of the Water Margin and The West Boudoir,meanwhile he fulfiled a transition process from the literature acceptance to literature creation.