沙鸥诗论意象观念的形成及其“规定性界说”

The Formation of Imago Concept of Sha Ou′s Poem Theory and its Prescriptivism

沙鸥诗论的意象观念形成于1985年创作“新体”诗以后,主要体现在诗的意象与诗的形象内涵认定的区别辨析上:意象本质不是其“外观之象”及其变形幅度,而是在于它的内心观照的审美创造功能,对诗歌形象审美内涵的丰富。其意象的“规定性界说”主要不在于可感性、美感性等与诗的形象共同的创作规则方面,而是意象的可塑性、多义性与体验性,这些功能最能显示作为创作方法的意象的创造本质,沙说丰富了当代诗歌的意象理论。

Formed in 1985 after the “new style” poems were composed, the imago concept of Sha Ou′s poem theory is mainly embodied in the distinction between t he imago and the image of poem connotation. The essence of imago does not lie in the image of the appearance but lies in the aesthetic creation of inner world a nd enriching the connotation of aesthetics. The prescriptivism does not lie in t he sensibility, aesthetic feeling, but in the plasticity, equivocation, and expe rience. Sha Ou′s idea has enriched modern theories about the imago of poem.