摘要
原型母题的现代阐释离不开叙事策略的推陈出新。作为古老的叙事题材及叙述模式,始乱终弃总与喜新厌旧的男性形象如影随形。在现代文本中,由于叙事角度的改变、多元视界的设定、叙述结构的重复与回环,人们得以透视出始乱终弃中被长期忽视的男性的二难处境与悲剧性存在。
As an old theme and mode of narration, “first incest and then forsake ” has always been closely connected with males fickle in affection. In modern t ext, with the change of narrating perspectives and the establishment of multi-v isions, the long neglected dilemma and tragedy of men in “first incest and then forsake” are eventually made clear.
出处
《涪陵师范学院学报》
2002年第6期55-58,共4页
JOurnal of Fuling Teachers College
关键词
始乱终弃
叙事
处境
文字题材
first incest then forsake
narrating perspective
multi-visions
dil emma