东北解放区的文艺大众化实践

The Practice of Literary Popularization in the Liberated Area of Northeast China

文艺大众化是贯穿20世纪中国文学史的重要现象,它本身的内涵特征和理性诉求使其在发展过程中一直受到写作主体和写作对象间的隔阂与错位、客观现实与文本现实间的差异与竞争,以及大众化文艺样板规范的压力所带来的切实困境。东北解放战争时期的大众化文艺运动以延安文艺为启示,在东北这一相对陌生的地域环境中展开,并要求密切贴近和快速反映时代主流现实的急遽变化,从而令与文艺大众化相伴而生的三种困境愈加突出。这不仅影响了东北解放区文艺创作的水平与素质,而且文坛对这一困境的权益性解决也显示出大众化写作逐渐被体制化和定型化的倾向。

Literary popularization is an important phenomenon throughout the history of Chinese literature in the 20th century.Its intrinsic characteristics and rational appeals have always been influenced by the gaps and dislocations between the writing subject and the writing object,the differences and competition between the objective reality and the textual reality,and the real dilemma brought about by the pressure of popular literary model standards.The popular literary movement during the Northeast War of Liberation was inspired by Yan'an literature,and it was launched in the relatively unfamiliar geographical environment of the Northeast.It required reflection of the rapid changes in the mainstream reality of the times closely and rapidly,thus bringing together the literary popularization.The dilemma was even more prominent.This not only affected the level and quality of literary creation in the Northeast Liberated Area,but also showed that the popularization of popular writing was gradually becoming institutionalized and stereotyped.