西昆体七律的审美转向与艺术新变

Aesthetic Turn and artistic Change of Xikun Style′s Seven-Character Poems

西昆体七律融合了白体七律的铺陈议论、晚唐体七律的属对精工及李商隐的比兴用典,形成“以赋为律”、以学问为诗、注重属对功夫的特征,为北宋七律奠定基本格局。其后北宋七律走向正是融白体的日常化交游、晚唐体的写景言怀、西昆体的学问化为一体,将文人雅趣引入琐细的日常生活,形成于日常生活中见学问的特征,造就宋诗平淡而高深的独特面目。西昆体的许多创作理念与技巧,是宋诗有别于唐诗的关键所在。自从西昆体七律出现后,北宋七律几乎都有了“西昆体的底子”。

Xikun style′s seven-character poems integrated coalesced comments of Bai Juyi style′s seven-character poems,antithe?sis skill of the late Tang style′s seven-character poems and use of metaphors and allusions of Li Shangyin′s.Its taking Fu as the regu?lated verse,learning as poetry,and paying attention to the characteristics of antithesis,laid the pattern for the Northern Song Dynasty′s seven-character poems.Later,the trend of seven rhythms in Northern Song Dynasty integrated the daily communication of Bai Juyi style,the writing of scenery in late Tang style and the learning of Xikun style into one,introduced literati′s elegance into the trivial dai?ly life,formed the characteristics of learning in daily life,and created the unique features of plain and profound Song poetry.Many cre?ative ideas and skills of Xikun style were the key for the difference between Song poetry and Tang poetry.Since the emergence of the seven-character poems of Xikun style,the seven-character poems of the Northern Song Dynasty almost all had the foundation of Xikun style.