从“音乐人”迈向“哲学家”的阿多诺

Adorno’s Transfer from "Musician" towards "Philosopher"

阿多诺的哲学体系形成于音乐,他的理论也始终伴随着音乐。从大学毕业至阿多诺在社会研究所发表的第一篇文章的近十年里,正是阿多诺与“音乐”互动最为频繁的十年。以这十年为时间节点考察,阿多诺与研究所保持松散的联系背后则是阿多诺完成了自我认识与学术道路的确立:阿多诺理论体系中核心的“否定性”观念在他与勋伯格等人的“音乐”互动中初露峥嵘,并逐渐成熟;他将对于“音乐”的热情和追求继而内化为哲学体系的脉络与根基。这段“间离期”对于阿多诺的学术转型及其之后在法兰克福学派核心地位的确立都是至关重要的时期。

Adorno's philosophical system was formed in music,and his theory was always accompanied by music.It was within the past ten years from his college graduation to his first published article in the institute of social research that he interacted with"music"the most.Taking this decade as the time node,he kept loose contact with the institute,behind which he completed the establishment of self-knowledge and academic path:his core concept of"negation"in his theoretical system emerged in his"music"interaction with Schoenberg and others and gradually became mature;he internalized the passion and pursuit of"music"into the context and foundation of the philosophical system.This"separation period"was a crucial period for his academic transformation and later establishment of his core position in Frankfurt school.