1Michael Curtin, "Chinese Media Capital in Global Context," in Yingjin Zhang, ed., A Companion to Chinese Cinema (London: Wiley-Blackwetl, 2012), pp. 179-196.
2Jeremy E. Taylor, " From Transnationalism to Nativism The Rise, Decline and Reinvention of a Regional Hokkien Entertainment Industry, "Inter-Asia Cultural Studies 9.1 (2008): 72-73.
3黄仁编:《优秀台语篇评论精选集》(台北:亚太,2006年),197-199.
4卢非易.《台湾电影》,表格11.a.
5Jeremy E. Taylor," 'Our Native Place--Our Cinema' : Nation, State and Colony in the Amoy-Dialect Film Industry of the 1950s," Journal of Chinese Overseas 5 (2009): 235-256.
6焦雄屏编:《台湾新电影》.台北:时报,1988年.
7卢非易:《台湾电影》.309.320.
8"新新电影"一词来自焦雄屏编:《台湾电影90新新浪潮》.台北:麦田,2002年.
9Yingjin Zhang, Chinese National Cinema (London: Routledge, 2004), 272-273.
10Darrell William Davis, "Second Coming: The Legacy of Taiwan New Cinema," in Yingjin Zhang, ed., A Companion to Chinese Cinema (London: Wiley-Blackwell, 2012), p. 134.
