人民的心声——论1949年以来连环画的“大众化”捩变

People’s Voice:On the Converting of Chinese Comic Strips to Popularization Since 1949

审视1949年以来中国连环画的70年发展历程,“大众化”是其必须面对和解决的现实命题,因为大众性是连环画的根本属性之一。本文以“大众化”为问题切入点.对于1949年至1966年期间的连环画改造与发展,1966年至1976期间的连环画特殊形态与辩证成果,改革开放以来连环画的高峰、低谷与“大众化”窘境进行了梳理和研究.同时对“大连环画”、“架上连环画”这两个论题展开了探讨,强调“大众化”是“架上连环画”的必经之路。文章最后指出,如何更好地反映“人民的心声”,将是中国连环画未来“大众化”发展的根本依据和努力方向。

Reviewing the 70-year developmcnt of Chinese comic strips since 1949,"popularization"is a realistic proposition that must be faced and solved,as a result of that the popularity is one of the fundamental attributes of comic stripes.Tiiking"popularization"as the entry point,this paper combed and studied comic strips'transfbrmation and development from 1949 to 1966,their special forms and dialectical achievements from 1966 to 1976,their ups and downs and dilemmas of"popularization"since the Reform and Opening up.At the same time,this paper discussed"comic strips"and"easel comic strips",emphasizing that"popularization"is the only way to"easel comic strips".Finally,the article pointed out that how co better reflect the"people's voice"would be the fundamental basis and efforts direction of the future"popularization"of Chinese comic strips.