论余华《活着》的艺术风格

On Yu Hua’s Artistic Style in Being Alive

《活着》以幽默、底层语言塑造了一位饱经磨难,“貌似”最该死亡,但却一直活着的老人——福贵的一生。通过福贵表达了老百姓最低限度的人生追求——活着。《活着》是余华作品风格改变的开始,在这篇小说中,作者采用倒叙的写作顺序、双重叙事的风格,以简洁含情的语言勾勒出以福贵为代表的穷苦大众的底层生活。通过福贵人物形象,读者感知到生命的厚重、活着的意义;通过两位各具魅力的女性,读者感知到包容的价值。接地气的叙事不流于形式,这正是《活着》艺术独特性所在。

In a humorous and folk language,a life of the old man,named Fugui who has suffered a lot,is portrayed in the fiction Being Alive.It seems that he should die most,but he has been alive all the time.It expresses the minimum life pursuit of the people at the bottom by the character Fugui,that is to alive.As the beginning of the transformation of Yu Hua’s writing style,the author uses the narrative order and the double narrative style to outline the poor life of the grassroots represented by Fugui in concise and emotional language.Through the image of Fugui,readers perceive the significance and meaning of life;through two charming women in the fiction,the readers comprehend the value of inclusion.It is the vivid narration rather than form pursuit that characterizes the artistic uniqueness of Being Alive.