摘要
在《论时:屈赋发微》中,陈世骧提出抒情传统论观点。高友工提出抒情传统“美典”理论体系。以高友工“美典”理论为依托,分析经验、心象、内化、再经验、境界等概念在《论时:屈赋发微》中的具体表达,引导读者更好地把握高友工抒情美典的理论建构,更好地体会陈世骧隐于作品的崇高境界的理解。
In his appreciative article,Discuss Time:the Enlightenment about Qu Yuan's Prose,Chen Shixiang advances the theory of lyrical tradition,while Kao Yukung puts forward the systematic theory of“lyrical aesthetics”.Based on Gao Yukung's“lyrical aesthetics”,this thesis analyzes the concepts of experience,symbolic emotion,internalization,reexperience,vision,etc.which were expressed in his article,Discuss Time:the Enlightenment about Qu Yuan's Prose so as to guide readers to master the theoretical construction of Kao Yukung's lyrical aesthetics,and help them understand Chen Shiqian's feeling of the author's lofty realm hidden in his works.
作者
许司政
XU Sizheng(College of Humanities,Shenzhen University,Shenzhen 518000,China)
出处
《镇江高专学报》
2019年第3期17-21,共5页
Journal of Zhenjiang College
基金
国家社会科学基金青年项目(14CZW006)
关键词
抒情传统
抒情美典
陈世骧
高友工
lyrical tradition
lyrical aesthetics
Chen Shixiang
Kao Yukung