摘要
通过对西方美术史以及中国近代美术进程中素描观念演变历史及原因的研究发现:明暗法和写实绘画的历史几乎完全重合,明暗是写实素描中最为重要的语言元素;结构与明暗之于写实素描而言,相当于一枚硬币的两面,任何一面都不能偏废;明暗法是一个科学成熟的知识系统,应该抛去历史的成见,脚踏实地地研究其中的规律,才能破解写实素描的技术密码,才能真正体会到写实素描的不朽魅力。
Through the study of the history of Western art history and the evolution of sketch concepts in the process of Chinese modern art,it found in this paper that the history of light and dark paintings and realistic paintings almost completely coincide,and that light and dark are the most important language elements in realistic sketches;structure and lightness in terms of realistic sketches,it is equivalent to two faces of a coin.Nothing can be neglected at any point.The method of light and dark is a scientific and mature knowledge system.It should be thrown away from historical stereotypes and down-to-earth to study the laws in order to solve realistic sketches,then the technical password can truly appreciate the immortal charm of realistic sketches.
作者
程瑞
CHENG Rui(Academy of Fine Arts,Fuyang Normal University,Fuyang,236037,Anhui)
出处
《蚌埠学院学报》
2019年第4期1-3,共3页
Journal of Bengbu University
基金
国家艺术基金青年艺术人才创作资助项目(2019-A-05-(215)-0922)
关键词
写实素描
结构
明暗
契斯恰柯夫素描体系
realistic sketch
structure
light and dark
Cheschakov sketch system