明清戏剧序跋中的“风”与“雅”

Feng(风) and Ya(雅) in Preface and Postscript of Ming and Qing Dramas

以《西厢记》《琵琶记》为例,以明清两代戏剧序跋中将这两部作品并称为《风》《雅》这一文学现象为研究对象,梳理这一现象的发展历程。相较于《琵琶记》得到广泛的认同,《西厢记》的评价则出现了不同的意见,结合时代背景,分析《西厢记》评价分化的深层次原因。

Taking Xixiang Ji and Pipa Ji as an example,the objects were analyzed in this paper for the literary phenomena of Xixiang Ji and Pipa Ji called Feng(风)and Ya(雅)in the prefaces and postscripts of the Ming and Qing dynasties,and the development process was also analyzed of this phenomenon.Comparing with Pipa Ji,which has been widely recognized,different opinions have emerged in the evaluation of the Xixiang Ji.The reasons for different evaluation of Xixiang Ji was analyzed under the background of the times.