棹歌的音乐性及其传承——以朱彝尊《鸳鸯湖棹歌》的创编为例

On Zhaoge’s Musicality and Its Inheriting——A Case Study on the Composition and Compilation of Zhu Yizun’s Yuanyang Hu Zhaoge

以棹歌发展的历史进程为主线,对朱彝尊《鸳鸯湖棹歌》进行了地域性、音乐性、民俗性的研究。通过对这种特殊性形态江南民歌的分析,寻找一种更顺应当今社会传唱的“现代棹歌唱法”,为朱氏棹歌找到一种既有效又持续、既坚守又创新的传承方式,赋予了棹歌全新的艺术生命力。

Taking the historical process of zhaoge s development as the main line,this paper studies the regional,musical and folk characteristics of Zhu Yizun s Yuanyang Hu Zhaoge.Through the analysis of this special form of Jiangnan folk songs,we will find a“modern singing method of zhaoge”that is more suitable for its spread in today s society and a new way to inherit Zhu s zhaoge which is both effective and sustainable,both respective to the tradition and innovative,so as to give new artistic vitality to zhaoge.