摘要
沈从文虽自己不创作音乐,但音乐和他却有着十分深厚的渊源。沈从文的小说作品受到了音乐艺术的影响,并彼此构成了互文性的关系。代表作之一的《边城》风格形成与音乐要素相关。从表层看,这是音乐元素在叙事过程中的加入和叙述技法的音乐化。从深层看,沈从文抓住了文学与音乐的共通之处,即借创作的符号来表达对永恒抽象之美的追溯与探索。这种表达方式本质是抒情的。《边城》不仅是“诗化小说”,更是“音乐小说”,体现着作者形而上的对宇宙人生的思考。
Although Shen Congwen does not create music himself, he has a very close relationship with music. Shen’s novels are influenced by music and form an inter-textual relationship with each other. From the surface, this is the addition of musical elements in the narrative process and the musicalization of narrative techniques. From a deeper perspective, Shen Congwen grasps the commonality between literature and music, that is, through the creation of symbols to express the exploration of the beauty of eternal abstraction. This expression is essentially lyrical. "Border Town" is not only a poetic novel, but also a musical novel, which reflects the author’s metaphysical thinking about the life of the universe.
作者
包絮云
BAO Xu-yun(College of Humanities,Guangzhou University,Guangzhou 510000,China)
出处
《唐山师范学院学报》
2019年第5期63-69,共7页
Journal of Tangshan Normal University
关键词
沈从文
边城
“文学——音乐”
音乐化
Shen Congwen
Border Town
literature-music
musicalization