摘要
因为兼具诗人与画家的双重身份,寇宗鄂在创作诗歌时就自然而然地汲取了绘画创作的养分,实现了“诗中有画”。同时,寇宗鄂在诗歌创作中始终保持着一颗善心,强调着作为一个现代人的社会责任,遵循着自己作为一个“人”的体验与感悟,吟唱出了属于他自己也属于这个时代的歌。
As a poet and painter, Kou Zong′ e naturally took the nutrients of painting creation in his poetry creation and realized a "painting in poetry" style. At the same time, Kou Zong′ e always maintains a kind heart in poetry creation, emphasizing the social responsibility as a modern person, following his own experience and sentiment as a "person", singing a song that belongs to him and this era as well.
作者
王永
杨洋
WANG Yong;YANG Yang(School of Literature and Law,Yanshan University,Qinhuangdao Hebei 066004,China)
出处
《廊坊师范学院学报(社会科学版)》
2019年第3期45-50,共6页
Journal of Langfang Normal University(Social Sciences Edition)
基金
2019年度秦皇岛市社科发展研究立项课题(201915)阶段性成果
关键词
寇宗鄂
诗歌
诗画一体
记忆的坚持
冷竣的凝视
温情与悲悯
Kou Zong′e
poetry
unity of poetry and painting
persistence with memory
cold gaze
warmth and sympathy