《燃脂余韵》与民国的女性词批评

Ran Zhi Yu Yun and female Ci criticism in the Republic of China

浙、常两派关于清代女性词的批评基本形成了“以清为美”与“怨而不怒”两种主张。先后发表于《小说月报》《妇女杂志》的《燃脂余韵》,肩负传承旧文学与旧文化的使命,其以“清”美内涵和悲情寄托等传统批评观推尊女性词体,并带有重构妇德的目的。现代女性词批评披沙拣金,既继承了古典词学的基本理论,又消除了道德评价的痼疾,向纯文学研究方向演进。在女性词批评由传统向现代转型的过程中,《燃脂余韵》发挥着承前启后的作用。

The evaluation of female Ci in Qing dynasty in Zhexi and Changzhou basically formed two opinions:‘clear and elegant’and‘sad but implicit’.RanZhiYuYun included both.Published in such periodicals as Novels Monthly and Magazine for Women,this book shouldered the responsibilities of inheriting traditional literature and culture,respecting female Ci and intending to reconstruct female virtues.The modern criticism of female Ci not only inherited the basic theory of classical Ci,but also eliminated the chronic maladies of moral evaluation and evolved toward the direction of pure literature research.In the process of the transition from the traditional to the modern criticism of female Ci,RanZhiYuYun functioned as a bridge between the past and the future.