生化人题材科幻电影创意的伦理考察——纪念《弗兰肯斯坦》200年

An Ethical Study on the Creation of Science Fiction Movies on Manborg Subjects:Commemorating the 200th Anniversary of Frankenstein

现代意义上的科幻文学始于英国玛丽·雪莱所创作的小说《弗兰肯斯坦》。这部作品经过改编和再创作衍生出诸多以人造人(特别是生化人的创造)为题材的电影作品。它们从自然、社会和心理的角度对于人造人予以不同定位,展示了创造者与被创造者之间、被创造者之间、被创造者和其他人之间错综复杂的关系,从中可以看出现代伦理、后现代伦理到后后现代伦理的演变。生化人的创造虽然目前还是科技伦理上的禁区,但是,有关人造细胞、人造器官等相关实验已在进行中。因此,科幻电影对于生化人的描绘和审视有助于人们预测相关技术未来所可能产生的伦理影响,使之造福而非为害人类。

The sci-fi literature in modern times began with the novel Frankenstein by the British author Mary Shelley.This work has been adapted and re-created to produce a number of film works based on artificial people(especially the creation of manborg).These works address the artificial people differently from natural,social,and psychological perspectives,showing the intricate relationships among the created people,between the creators and the created,between the created and others.The transformation is shown from Modern ethics,postmodern ethics to postmodern ethics in related movies.Although creation of manborg is currently a forbidden zone in science and technology ethics,related experiments(such as artificial cells,artificial organs,etc.)have been carried out.Therefore,the depiction and examination of manborg in science fiction movies can help people predict the ethical impacts of related technologies in the future,so that they can benefit rather than harm humans.