摘要
云南大理鹤庆新华村白族银器锻造工艺是在传统白族铜器锻造工艺基础上融合日本、欧美金属工艺文化与中国科技进步形成的新发展,形成一个传承与创新的循环体系。文章着手于田野调研,实地跟踪云南大理鹤庆新华村锻造工艺的近20年变化与发展,通过比较、多学科交叉、制作实践与分析等方法,从一个金属手工艺创作者的角度来阐述现代鹤庆银器锻造工艺的传承、创新与问题。
The silverware of bai nationality forging process in Xinhua Village in Yunnan dali is a new development which combine the Japanese and European metal crafts culture and the progress of China's scientific and technological progress on the basis of the traditional Bai bronze forging process,forming a recycling system of inheritance and innovation.The article started research in the field and tracked the changes and development of the forging process of Xinhua Village in Dali in the past 20 years.Through comparative,multidisciplinary,production practice and analysis,the modern crane was elaborated the innovation and inheritance from the perspective of a metal craft creator.
作者
曹毕飞
何进
陈曼琪
Cao Bi-fei;He Jin;Chen Man-qi(School of Art and Design,Guangdong University of Technology,Guangzhou,Guangdong,510090)
基金
2016年度长沙理工大学湖南省工艺美术产品工业设计中心开放基金项目资助(编号:2016GYMS06)
2019教育部人文社会科学研究规划基金(编号:19YJA760003)
广东省高等学校青年珠江学者资助项目(编号:ZJ027)
关键词
白族银器
锻造工艺
创新研究
Silverware of Bai Nationality
Raising Technique
Creative Research