一体多元：新中国70年海峡两岸暨港澳电影的融合与发展

On the Integration and Development of Films in China's Mainland, Taiwan, Hong Kong and Macao in the Past 70 Years since the Foundation of the People’s Republic of China

从新中国成立至改革开放,海峡两岸暨香港和澳门电影的融合相对孱弱,"一体"性却凸显。从改革开放至21世纪,四地电影的互动性剧增,但"一体"渐弱,以本土化为主的多元性随着互动的强化而增强。21世纪以来,海峡两岸暨港澳电影的互动性再次强化,华语电影一体多元的格局出现新的变化:四地电影中华语大片互融互汇,形成了新的"一体性";同时四地本土电影又进行着分众化的发展,体现出更强的多元性。当下的这种一体多元格局,更有利于华语电影的发展。

In the past 70 years since the founding of New China, the integration and development of films in China's Mainland, Taiwan, Hong Kong and Macao has gone through three stages, each of which shows an integrated and pluralistic pattern. From the founding of New China to the reform and opening-up of the mainland, the integration of Chinese films in the four places is relatively weak, but the "one" nature is the most prominent. From the reform and opening-up to the new century, the interaction of Chinese movies in the four places has increased sharply, but the "one" has weakened, and the diversity of localization has increased with the strengthening of interaction. Since the new century, the interaction of Chinese films in the four places has been strengthened again, and the integrated and pluralistic pattern has undergone new changes that Chinese films in the four places have merged with each other to form a new "unity". At the same time, local films in the four places have developed in a decentralized way, reflecting a stronger diversity. At present, this integrated and pluralistic pattern is more conducive to the development of Chinese films.