从冷战到“多式全球化”的中国电影世界秩序话语研究

From the Cold War to “Multi-Globalization” : The Discourse on World Order in the Films of the People’s Republic of China

1949-2019年的中国电影或主动或被动地参与到世界秩序的话语实践之中,以其冷战话语、全球化话语和"多式全球化"话语实践形式,构建了对于世界秩序的想象。但无论是在冷战时期、全球化时期还是多式全球化时期,中国电影的话语形式都具有自己的问题意识和实践特点。这种独特的问题意识和实践特点既是由中国70年间的世界历史中的地位决定的,也是中国电影争取世界秩序话语权的主动性和主体性的体现。

Be it actively or passively, Chinese films has been participating in the practice of discourse on world order from 1949 to 2019. In the forms of discourse on the Cold War, on globalization and on "multi-globalization", they have built an imagination on world order. But whether it’s in the Cold War era, or in the era of globalization and "multi-globalization", the form of discourse of Chinese films has its own problem consciousness and practical characteristics. These distinctive problem consciousness and practical characteristics are not only determined by the international status of China in its seventy years of history, but also a manifestation of Chinese films fighting for the initiative and subjectivity of the rights of discourse on world order.