“事件—建筑”思想的本质解读——以延安大剧院为例

The Essence Interpretation of "Event-Architecture":Taking Yan’an Grand Theatre as an Example

在地位显赫但经济落后的西部城市(如延安)建设中,重要节点性建筑设计应考虑城市精神的塑造及当代生活多样性、差异性的需求,对此可借鉴本质上接近于我国传统空间意识“事件”的思想。相对于功能至上的现代建筑主义,事件建筑思想提供了建筑与人的关系的思考,打开了新的建筑学视野,迎合了当代多元建筑文化的发展和建筑文化不断追求创新的发展趋势。该文从事件哲学的两个特征结合延安大剧院实例进行解读,其中“虚”超越了建筑的事实状态,赋予了建筑场所特征及更为宽广的意蕴;“恒”的时间性不断划分过去、现在及未来,要求建筑意趣的不断“生成”,赋予了建筑生命特征。

In the construction of a famous but backward economy of western city in China,the architectural design should be taken into account the shaping of urban spirit and the diversity of contemporary life,so we can draw on the idea of"event"which is essentially close to the traditional space consciousness of China.Compared with the modern architecture of function supremacy,it provides the thinking of the relationship between architecture and people,opens a new view of architecture,caters to the development of contemporary multicultural culture and the development trend of building culture.We also interpret the two characteristics of event philosophy combined with the example of Yan'an Grand Theatre.The"incorporel"transcends the fact of the architecture,endows the architectural features and broader implications.The"éternité"time continuously divides the past,present and future,and requires the constant generation of the interest of architecture,giving the architectural life characteristics.