马勒声乐套曲《漫游青年之歌》艺术特色探析

An Exploration and Analysis of the Artistic Features of Mahler’s Vocal Cycle——Lieder eines fahrenden Gesellen

以作品艺术形象、结构特色、个性化表达及音乐语汇为切入点,探析马勒《漫游青年之歌》的艺术特色。该套曲继承了舒伯特作品中的“流浪者”形象以及部分叙事情节,在延续传统艺术歌曲形式的同时,融合了交响套曲的乐章和曲式结构原则,显示出两种体裁之间的“异质同构”关系。马勒运用对比性材料并置交错和极端对立的音乐情绪和风格之间的突然变化等手法,取得了一种模糊的、不连贯的音乐叙事和抽象、集约化的音乐表达。

This article is an exploration and analysis of the artistic features in Mahler’s Lieder eines fahrenden Gesellen—Songs of a Young Wayfarer,based on the cut-in perspective of its artistic images,structural characteristics,individual expressions and musical vocabulary.The cycle inherits the image of Der Wanderer and some narrative plots from Schubert’s works.While continuing the conventional form of art songs,it combines the structural principles in movements and forms of symphonic cycles,and demonstrates a relationship of heterogeneous isomorphism between the two genres as well.Mahler achieves an ambiguous and incoherent musical narration,and an abstract and intensive expression through employment of various techniques such as contrasting materials in juxtaposition and interlacement,radical opposition of musical emotions,and a sudden change of styles,etc.