浅析如何使协奏钢琴具有管弦乐色彩——以小提琴协奏曲《梁山伯与祝英台》为例

Analysis of Orchestral Tone Color in Piano Accompany——Based on violin concerto Liang Shanbo and Zhu Yingtai

小提琴协奏曲《梁山伯与祝英台》在我国是一部家喻户晓的小提琴代表作品,也是一部中国小提琴作品里程碑式的作品。作品的协作版本有两种形式,一种是乐队协奏,另一种是钢琴协奏。如何在协奏过程中既能体现出钢琴协奏独具的特色,又能更加贴近乐队协奏的效果,对钢琴协奏者来说是一种技术上的挑战。要将这两种协奏形式有机的结合在一起,必须具备丰富的演奏经验和钢琴协奏能力。对乐队协奏乐谱与钢琴协奏乐谱进行认真的比较分析研究,体会作品段落的内涵意境,乐队声部转换表现等,要经过深入细致地分析对比才能体会到乐队协奏的整体效果,更好地配合独奏小提琴来演绎作品,达到较好的演奏效果,更钢琴协奏具有乐队协奏的色彩。

The well-known violin concerto Liang Shanbo and Zhu Yingtai(Butterfly Lover)is a landmark of Chinese violin works.It has two versions:orchestral version and piano version.In the latter formof this violin concerto,it is a technical challenge for a pianist to get closer to the effect of the orchestral tone color,and reflect the unique characteristics of the piano accompany at the same time.In order to combine these two versions successfully,the pianist must have a wealth of playing experience and accompany abilities to make a careful comparative analysis between the orchestral scores and piano scores,meanwhile understand the connotation of the story of the work and perform the orchestral voice conversion properly.Only by this way can the pianist work with the solo violin player to achieve better performance.