摘要
德国音乐史学家卡尔·达尔豪斯的《音乐史学原理》,是其众多学术专著中的一本,也是影响较大的一本。这本书中对于西方音乐现象理性的分析,在西方音乐史学中独树一帜。此外,该音乐史学专著,并非简单的罗列西方音乐史中的作家与作品,而是充分发挥了德国研究者思辨的思维特色,对于所提出的多种音乐现象进行了纯理论的分析与表述,令读者耳目一新。最后,作者对于以往的音乐史研究,不论传统研究的方法论,还所举例代表性作曲家、代表性的遴选方法,在质疑的基础上,都提出了自己新的看法,使音乐史学习的后来者,避免进入学术误区和错误研究方向。
The music theory book of Karl dalhouse is one of his many academic monographs.It is also one of the more influential.For rational analysis of the phenomenon of western music,this book is unique among the western music history.in addition,this music historiography monograph is not simply list the writers and works in western music history,but to give full play to the German researchers dialectical thinking characteristics,these are made for a variety of music phenomenon of the pure theoretical analysis and description,let the reader learn something new and fresh.Finally,on the basis of questioning,the author puts forward his own new views on the previous studies of music history,Neither the traditional research methodology,the representative composers cited,or the selection method of representative,On this basis,he put forward a new view,as to make the laters of music history study avoid academic misunderstandings and wrong research directions.
作者
朝克
哈斯巴特尔
Chaoke;Hasstel(Inner Mongolia Art University,Hohhot,Inner Mongolia,China 010010)
出处
《内蒙古艺术学院学报》
2019年第3期161-165,共5页
Journal of Inner Mongolia Arts University
基金
2018年度内蒙古哲学社会科学规划项目“全球化语境下草原音乐的传承传播研究”(项目批准号:2018ZDA006)的阶段性成果
2018年国家社科基金艺术学项目“跨界族群卫拉特蒙古人的史诗《江格尔》及其音乐表演研究”(项目标号:18BD054)系列研究论文
关键词
音乐与音乐史
个人理解
有机体模式
幼稚的传统主义
Music and music history
personal understanding
Organic model
Naive traditionalism