基于五代山水画图像学探究人在风景空间中的成景内涵

Exploring the Connotation of Man in the Scenic Space Based on the Imagery of the Five Dynasties Landscape Paintings

中国传统山水画中并不是仅存有山水、建筑、植物等要素,一些动物和人物也常被用来提升画面的活力感,而山水画中的人物不同于人物画中的人物,由于本身所占面积小且不是表现主体,故常被人忽略。人物作为山水画中一种重要的点景要素,在特定的时代背景下不仅有着独特的精神意义,更和某种审美存在着必然的契合关系。文章通过分析五代7位著名画家现存的18幅含人物山水画中的构图元素,尤其是绘画史点景理论中人物与图本身的关系,试图找到山水画中对点景人物利用的共性以及人物本身美的表达,借此启发在风景园林设计中对“人”本身的成景作用的运用,把人物作为一个设计元素去考虑:去利用“人”、表现“人”、使人成景,更好地处理人与风景园林空间的关系,避免可能产生的矛盾与破坏性。

Chinese traditional landscape paintings do not only contain elements such as landscapes,architecture,plants,etc.Some animals and characters are often used to enhance the vitality of the paintings,while the characters in landscape paintings are different from the characters in the paintings,due to their own area.Small and not a subject of expression,it is often overlooked.As an important point of view in landscape painting,characters not only have unique spiritual significance in the specific era background,but also have a certain relationship with some aesthetics.The article analyzes the compositional elements in the 18 landscape paintings of the famous painters of the five generations,especially the relationship between the characters and the figure itself in the theory of painting history,trying to find the commonality of the use of the characters in the landscape paintings and the beauty of the characters themselves.Expression,to inspire the use of the role of"human"in landscape design,to consider the character as a design element:to use"people",to express"people",to make people better,to better Deal with the relationship between people and landscape space to avoid possible contradictions and destructiveness.