中国电影70年来之“一般”与建构中国学派的前提性思考

Chinese Film 70 Years “General’ and Construction of the Precondition of Chinese School

当下,中国电影学理论界和电影业界一次次提出要构建自己的有中国特色的电影学派.其实,构建中国电影学派的前提是,必须对中国现有各不同类型的电影作品、已经积累的丰富的电影理论作出整体性梳理,并发现理当改进的问题,提出建设和拓展中国学派的思路,既要提升具有中国民族特色的电影含金量,推动中国电影走向世界,又应让中国电影理论与“一带一路”接轨.在不断学习传统文化典籍,认真领会中国美学的基础上,与时俱进地将中国传统文化之精华向现代性转向,更多方位、多层次地在影像世界里展现中国形象、中国精神和真实的中国人的精神、生活等方方面面.在此基础上,我们回顾和分析、梳理了新中国电影70年来历史发展的“一般”规律,并提出了建构中国学派的前提性思考.

At present,Chinese film theorists and film industry have repeatedly proposed to build their own film school with Chinese characteristics. In fact,the premise of constructing the Chinese film school is that it is necessary to sort out the rich film theories accumulated in different types of film works in China as a whole,and find the problems that should be improved,and put forward the idea of building and expanding the Chinese school. We should not only enhance the gold content of the films with Chinese national characteristics,promote the Chinese films to go to the world,but also connect the Chinese film theory with Belt and Road Initiative. On the basis of constantly studying the classics of traditional culture and conscientiously understanding Chinese aesthetics,we should turn the essence of Chinese traditional culture to modernization with the times,show Chinese image,Chinese spirit and all aspects of real Chinese people in many levels in the image world. On this basis,it is necessary for us to review and analyze the " general" law of the historical development of the new Chinese film in the past 70 years,and thus put forward the forethought of the construction of the Chinese school.