董永遇仙戏的流变

The Evolution of Dong Yong and The Fairy

董永遇仙戏历经多个时代流传至今.残存的元代董永遇仙戏勾勒出了书生邂逅仙女的爱情残影;在明代舞台上,顾觉宇的《织锦记》逐渐从几部董永遇仙戏中脱颖而出成为舞台主流,其情节、人物、语言等在传承中逐渐变异;清代地方戏兴盛后,该戏形成了名目繁多、情节各异、富有特色的剧目,在“娱人”的同时又具有了“娱神”的功能;在中华人民共和国成立后的戏改中,黄梅戏《天仙配》营造出了崭新的艺术世界,成为不可逾越的经典.

The tale of Dong Yong and The Fairy has presented the romance between an intellect and a fairy.During the Ming Dynasty,the opera ZhiJinji,with transformation in terms of plot,characters and diction,emerged from its peers and became the mainstream on the stage.After being absorbed in local operas,it gave birth to a myriad of distinct and various operas,which played the role of both entertaining human and entertaining gods.Since the opera reform of the New China,the Huang Mei Opera Dong Yong and The Fairy created a brand new artistic world and became an insurmountable classic,thanks to the brilliant adaption and the exquisite performance of the actors。