摘要
随着话剧市场的发展,年轻演员在表演中声、台、形功力不足的问题明显地摆在了观众的眼前.历史剧人物和性格化人物的塑造力缺失,尤其限制了话剧表演向着更高水平发展的进程.这些都对戏曲表演教学提出艰巨的要求.戏曲基本功教学作为经过时间、实践双重检验,且独具中国特色的表演课程,在提供学生技巧工具、建立学生表演审美、解决当前表演的种种弊病方面始终发挥着重要作用.
With the development of the drama market,the problem of the young actors'vocal,lines and body shape ability is also obvious in the audience's eyes.In particular,the lack of shaping power of historical drama characters and characterized characters limits the higher development of drama performance.This puts great demands on performance teaching.The basic teaching of drama is a performance course with Chinese characteristics after double tests of time and practice.In providing students with the tools of skills,establishing their performance aesthetics to solve various ills of the current performances,play a valuable role.
作者
王学明
覃威尔
WANG Xue-ming;QIN Wei-er(Acting Department of Shanghai Theatre Academy,Shanghai,200040)
出处
《艺术百家》
CSSCI
北大核心
2019年第4期94-99,共6页
Hundred Schools In Arts
关键词
戏曲表演
审美理想
写意
表演教学
Drama Performance
Aesthetic Ideal
Freehand
Performance Teaching