传统影像空间的消逝与回归——论动画电影影像空间的变迁

The Disappearance and Return of Traditional Image Space: On the Changes of Animation Film Image Space

中国动画发展至今,主要经历了三个时期.20世纪50年代“中国学派”的诞生标志着影像空间塑造范式的成型,其民族化特性造就了中国动画界的辉煌历史;21世纪初,中国动画电影的创作者们以美、日为师,其作品的影像空间呈现出“他者化”气质,脱离了民族土壤的作品被观众所诟病,市场表现也远不如想象中那般美好;而近几年,承袭了“中国学派”的创作原则且吸收了美、日动画空间建构方式的国产动画电影,以其高票房冲击着观众的眼球,并为中国动画电影的复兴打下了坚实基础.从影像空间范式的成型、消逝到回归,中国动画电影实现了“在地化”和国际化的完美融合.

The development of Chinese animation has been mainly through three periods.The birth of the"Chinese School"in the 1950s marked the formation of the image space shaping paradigm.Its national characteristics created a glorious history of the Chinese animation industry.In the 21st century,the creators of Chinese animated films used the United States and Japan as their teachers.The image space of his works shows the temperament of"others".The works that are separated from the national soil are criticized by the audience,and the market performance is far less beautiful than imagined.In recent years,the creation of the"Chinese School"has been inherited.The principle and the domestic animation film that absorbed the American and Japanese animation space construction style hit the audience's eye with its high box office,and laid a solid foundation for the revival of Chinese animated film.From the formation and disappearance of the image space paradigm,the Chinese animated film has achieved the perfect integration of“localization”and internationalization.