图像在当代架上绘画中的新应用——论米歇尔·博里曼斯的艺术创作

New Application of Image in Contemporary Frame Painting:Michaёl Borremans’s Artistic Creation

米歇尔·博里曼斯的创作实践围绕着创作动机、画面语言与画面中的形象符号三个方面进行,在格哈特·里希特于20世纪60年代以模仿照片进行的创作实践的基础上,米歇尔·博里曼斯通过一种全新的创作方式,即将自身拍摄的影像和绘画相结合,解决了公共图像本身意义与创作者的表达之间存在的割裂问题.

Michaёl Borremans's creative practice revolves around three aspects:creative motive,picture language and image symbol in the picture.It found that based on the Gerhard Richter's creation practice through imitating photographs in the 1960s,Micha l Borremans adopted a new way which combined his own images and paintings,to solve the problems of the separation between the meaning of the public images themselves and the meaning that the creators would like to express.