生漆产业调研——基于平利县实地调研的反思

The inve stigation of lacquer industry—the reflects base on the investigation of Pingli county

作为生漆产区重镇,平利县是我国民间漆文化的代表性地区。然而,实地调研显示,平利县的漆文化却十分衰败。尽管存在着名声在外的牛王沟和新兴生漆销售企业,平利县的漆文化整体上表现出断层、陈旧和偏差的特征。大众不仅对当代漆文化一无所知,甚至传统漆文化也随着上一代人的老去而呈消散的态势。平利县的状况为我们敲响了警钟--当代漆文化与漆产业的危机很可能在于丧失了基础,即大众对漆文化的无知、淡漠甚至偏见。与此同时,蕴含于我国漆文化中的特有困境妨碍漆文化向大众的传播,加剧了当代漆文化危机。

As a major producer of raw lacquer, Pingli county is a representative area of folk lacquer culture in China. However, field research shows that the lacquer culture in Pingli county presents a declining trend. Despite the existence of Niuwanggou and a new enterprise, the lacquer culture of Pingli County shows the characteristics of interruption, obsolescence and deviation. The state of Pingli County has sounded a warning for us that the crisis of contemporary lacquer culture and lacquer industry may come from the loss of the foundation, that is, the ignorance, indifference and even prejudice of the public towards lacquer culture. At the same time, the unique dilemma contained in Chinese lacquer culture hinders the spread of lacquer culture to the public, aggravating the crisis of contemporary lacquer culture.