“天人合一,道法自然”——从“荒海”句刍议松尾芭蕉后期俳谐的朴素唯物主义美学观

The Pursuit of Harmony between Man and Nature:A Rustic Opinion on the Simple Materialistic Aesthetics of Matsuo Basho’s Late Haiku Works from Wild Sea

唯物主义美学观认为,美是物质的属性,是第一性的客观存在,美感和审美意识是美的反映,是第二性的;美和美感的关系,是被反映和反映的关系。试图通过梳理日本“俳圣”松尾芭蕉的晚年经历、代表著作及其美学思考,探讨其俳谐的最高艺术境界,即朴素唯物主义美学内涵。

Materialistic aesthetics holds that beauty is the attribute of matter and the objective existence of primacy;aesthetic sense and aesthetic consciousness are the reflection of beauty and on the secondary position;the relationship between beauty and aesthetic sense is the relationship between being reflected and reflection.This paper attempts to explore the Japanese Haiku Saint Matsuo Basho’s highest artistic realm of Haiku-the connotation of Simple Materialistic Aesthetics,by reviewing the experience,representative works and aesthetic thinking in his later life.