摘要
艺术幻觉生产是一切艺术的核心,是在自然时间里编织人造时间的尝试,它受到自然时间的制约,尤其受到该文化形成的时间观的制约和支配。西方戏剧也是如此。西方戏剧幻觉生产机制主要由逻辑学可能性原则、语言学的修辞学等原则构成,是对存在世界的探讨和追求。古希腊文明将时间理解为空间,这一理解决定着西方戏剧在艺术幻觉生产上所显现出来的从古希腊戏剧、现代戏剧到后现代戏剧的对空间的不同理解,显现出古希腊戏剧拥抱“未来”、现代戏剧把握“现在”、后现代戏剧陷入"虚空"的逻辑递变,对此的研究将有助于我们对西方文化的理解和把握,为我国戏剧艺术发展提供良好的借鉴和参考。
The production of Art illusion is core to all arts, and it is also an attempt to make artificial time in natural time which is restricted by natural time, especially by the concept of time formed by culture. So is western drama. The production mechanism of illusion in western drama is mainly composed of logic possibility principle and linguistic rhetoric principle. It is the exploration and pursuit of the world. Ancient Greek civilization takes time as space, which determines the different understanding of space in the production of artistic illusion of Western drama from ancient Greek drama, modern drama to post-modern drama, showing the logical change of ancient Greek drama embracing "future", modern drama grasping "present", and post-modern drama falling into "void". The research on this will help us to understand and grasp western culture, which is helpful for the development of Chinese drama.
出处
《上海文化》
CSSCI
2019年第10期106-115,127,共11页
Shanghai Culture
基金
国家社科基金重大项目“当代美学的基本问题及批评形态研究”（项目号：15ZDB023）的阶段性成果
