1Helen Hok-sze Leung, "Queerpspaces in Contermporary Hong Kong Cinema", in Esther M. K. Cheungt(张美君)and Chu Yiu-wai (朱耀伟) (eds.), Between Home and World(《越界光影:香港电影读本》),Hong Kong:Oxford, 2004, pp. 459-483, p.473.
2Cf. Key Chow, Nostalgia of the New Wave: Structure in Wong Kar-wai's Happy Together, in Esther M. K. Cheung and Chu Yiu-wai (eds.), Between Home and World, pp. 127-146.
3Cf. Richard Dyer, Stars. London: British Film Institute, 1979, 1998 2nd.
4Richad Dyer, Heavenly Bodies: Film Stars and Society, London: Routledge, 2004 (1986), pp. 137-190.
5Jackie Stacey, Feminist Fascinations: Forms of Identification in Star-audience Relations, in Christine Gledhill (ed.), Stardom: Industry of Desire, New York: Routledge, 2003 (1991), pp.141-166.
6Andrea Weiss, A Queer Feeling When I Look at You: Hollywood Stars and Lesbian Spectatorship in the 1930s, in Christine Gledhill (ed.), Stardom: Industry of Desire, pp. 283-300.
